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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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PUCL CONDEMNS: Raids on The Wire’s Editors

The PUCL strongly condemns the raids on the residences and office of senior editors of the news portal, The Wire, in New Delhi and Mumbai, repo...

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No Country For Minorities

Humra Quraishi points out the double standards adopted by the state when dealing with minorities in India.

A Conversation With Freny Manecksha

Freny Manecksha brings stories from Bastar and Kashmir in her latest book Flaming Forest Wounded Valley. She gets into a conversation with Read More

Merely because the act is horrific…

Humra Quraishi recalls the horrors of the 2002 riots in Gujarat in wake of the release of the convicted rapists and murderers ...

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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A  ROTI PLEASE!

One of the foremost signs of failing governance is that many more poor people are dying of hunger and malnutrition, writes Humra Qurais...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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